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Creative Nonfiction

No art without deformation: Picasso in Moscow, 1956

Pia Curran -
In 1956, the Soviet embassy in Paris is filled with thirty-eight artworks of Pablo Picasso, waiting to be shipped to Russia. It is early morning,...

Pia Curran

Pia Curren has just completed her first year of an Arts/Law degree, majoring in English. She writes to understand her world and is fascinated by the relationship between art, power and morality. She enjoys reading, particularly fiction, creative writing, and music.

Salience showcases fresh, thoughtful journalism and creative works produced by students of the School of Art, Communication and English at the University of Sydney. Salience reflects the work of a globally oriented and engaged student body, with strong international student participation.

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